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「가족」의 서사시적 특성과 한계

저자
김홍진
서지
한국문학이론과 비평학회, 한국문학이론과 비평 8권 2호
발간일
2004
조회수
1472
SNS 공유
네이버 블로그 공유하기 페이스북 공유하기 트위터 공유하기 구글 플러스 공유하기 카카오 스토리 공유하기
In his poem, Kim Sanghoon wanted to enlighten readers on recovery of people's miserable lives. He used a stereotyped proletarian as a narrator. However he exposed the narrator's emotions too much. Also, he failed to arrange the episodes. They wereextremly simple. He just used his poem as a fool of the ideology of proletalism. The narrator often interrupted the plot like God alrighty even though he was hot involved. Because his political altitude was prevenient, the poem lost its balance and objectivity. At that time, most of proletarian artists affatched importance to sending their message to their readers. They took the direct way instead of the artstic one much like a public speech. To enlighten people, proletarian artists took narratives into their poems. They believed if their poems were narratives, they world be successful in sending their message to the people 'We are one ! We are brothers and sisters ! We are family !' However they just concentrated on the political message not the artistic one. So, they failed to reach the goal, making a poem itself.
이전글
日本의 「家」 : 家父長制를 중심으로
다음글
1950년대 소설에 나타난 파시즘 연구 : 선우휘 소설에 나타난 가족주의를 중심으로