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여성 성장소설에서 사라진 가족과 상상 혹은 상상력 : 이미혜의『사라진 서재』를 그 한 예로

저자
이혜경
서지
현대문학이론학회, 現代文學理論硏究 15
발간일
2001
조회수
1417
SNS 공유
네이버 블로그 공유하기 페이스북 공유하기 트위터 공유하기 구글 플러스 공유하기 카카오 스토리 공유하기
It is easy, sometimes, to forecast the future by looking at the past. Women's hill-and-trough history kicked in early. The same may be said of growth novel. For most women at home and at work, the novel will remain the primary a place to rest. That novel will play a vital role in this new world of any time, anywhere rising. Among the most widespread and persistent myths shared by modern novels is that style, character, the subject and the framework of a story will be more important to the first audience after novel than any other single fact, especially mere self-discovery. The lost study is shown our reminiscence of childhood with family by lost imagination. Many people like not only their own lost story but a variety of other ones. The lost study said, as you become a teenager, however, you may sometimes begin to question adults' ideas, instead of blindly accepting their ideas as you did when you were a small child. Children learn about their world through their experience. Educational experiences in the novel are the nurture of growth. In adult life, we enjoy more freedom of choice, and naturally we select those areas where we know we will perform well. We can learn from the past.
이전글
가족이념의 우발적 다원성 : 압축적 근대성과 한국가족
다음글
제주도 큰굿내의 신화에 나타난 가족구성상의 특징과 의의