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Cruising Utopia

저자
Jose Esteban Munoz
서지
NYU Press
발간일
2009년 09월 01일
조회수
508
SNS 공유
네이버 블로그 공유하기 페이스북 공유하기 트위터 공유하기 구글 플러스 공유하기 카카오 스토리 공유하기














개요
The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, Jose Esteban Munoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Munoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.


목차
Introduction 1
 
1. Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism 19
2. Ghosts of Public Sex: Utopian Longings, Queer Memories 33
3. The Future Is in the Present: Sexual Avant-Gardes and the Performance of Utopia 49
4. Gesture, Ephemera, and Queer Feeling: Approaching Kevin Aviance 65
5. Cruising the Toilet: LeRoi Jones/Amiri Baraka, Radical Black Traditions, and Queer Futurity 83
6. Stages: Queers, Punks, and the Utopian Performative 97
7. Utopia’s Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System 115
8. Just Like Heaven: Queer Utopian Art and the Aesthetic Dimension 131
9. A Jeté Out the Window: Fred Herko’s Incandescent Illumination 147
10. After Jack: Queer Failure, Queer Virtuosity 169
 
Conclusion: “Take Ecstasy with Me” 185
Notes 191
Bibliography 209
Index 217
이전글
Reassembling the Social
다음글
Migration und Minderheiten in der Deomokratie